Đề ôn thi Đề thi vào lớp 10 Trường THPT Chuyên KHXH môn Tiếng Anh - Mã đề KHXH-145

(35) __________ the 1990s, before smartphones were common, teenagers primarily communicated over long distances using landline telephones and the relatively new system of email. While email was a major step forward, it lacked immediacy. A person would write a message, send it, and then have to wait, sometimes for hours or even a day, for a response. Communication was not in real-time.

Then, a new technology called Instant Messaging, or IM, began to appear. Programs like ICQ and AOL Instant Messenger (AIM) became popular. The (36) __________ was profound, as these services allowed for text-based conversations that happened in the moment. This new form of communication quickly (37) __________ how young people interacted, making it faster and easier to chat with friends after school.

One of the most revolutionary features of IM was the 'buddy list,' a feature (38) __________ allowed users to see when their friends were online and available to talk. Unlike email, you knew if the person was there to reply immediately. This made conversations feel more (39) __________ and alive. Users could type short messages back and forth, creating a flowing dialogue similar to a real-life conversation.

The impact on social life was significant. Instead of waiting for an email, a person could (40) __________ a message and receive a reply within seconds. It changed the pace of friendship and planning. While not everyone had internet access at home, (41) __________ teenagers used school or library computers to chat with friends, making IM a central part of their daily social routines.

(42) __________, this new speed came with new social pressures. The expectation to reply instantly grew, and seeing a friend online who was not responding could cause anxiety. Despite this, IM paved the way for the modern messaging apps we use today, fundamentally changing our expectations for digital communication forever.

Across the world, the perception of street art is changing. What was once often dismissed as vandalism is now celebrated as a powerful art form that transforms public spaces. Blank, forgotten walls in bustling cities and quiet neighborhoods are becoming canvases for incredible works of art. These open-air galleries do more than just beautify an area; they tell stories and bring communities together. In this movement, artists like the fictional character Sơn are leading the way, using their talent to breathe new life into urban landscapes.

Sơn is not an artist in the traditional sense. He didn't study at a famous art school, but his passion for his community is his greatest qualification. He believes art should not be confined to expensive galleries but should be accessible to everyone in their daily lives. His mission is to turn neglected corners of his city into places of joy and inspiration. He uses vibrant colors to paint large murals that often depict themes of local life, nature, and shared history. His work is a celebration of the community's identity.

The impact of Sơn's work is significant. Formerly dull, grey walls now capture the attention of residents and tourists alike, becoming popular backdrops for photos. His murals often depict scenes of daily life, from children playing to vendors selling fruit. They have become a major draw for tourists and locals, creating a new sense of pride in the neighborhood. This increased foot traffic has an economic benefit too, as small cafes and shops nearby see more customers. The art serves as a catalyst for social and economic revitalization.

This story, while fictional, reflects a real-world trend seen in Vietnam. A perfect example is the Phùng Hưng Street mural project in Hanoi. This project, a successful collaboration between Vietnamese and Korean artists, transformed the old railway arches into a lively art space. The murals depict memories of old Hanoi, creating a nostalgic and beautiful walkway. It quickly became one of Hanoi's most popular check-in spots, demonstrating the immense power of public art to revitalize urban areas and connect people with their city's heritage.

Ultimately, the work of artists like Sơn and the success of projects like Phùng Hưng Street challenge our ideas about where art belongs. They show us that a simple can of spray paint or a brush can be a tool for community empowerment. The murals are more than just pictures; they are a declaration that every street corner has a story to tell and that beauty can be found in the most unexpected places, improving the lives of everyone who walks by.